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lyrics

Well I don’t know how you feel, but I am close to an edge, I am close to an edge, I am close to an edge

And you know how I feel about the death of the real? edging close to the ledge getting close to the edge

There’s a ghost in the tech, moving tectonic plates spinning tectonic plates spinning tectonic plates

Static charge in my hair, I’ve got my nose in the air

And I’m relying on animal animal animal animal

How does your animal feel
About the death of the real? X2

Well I don’t know about you, but I can’t listen to more anymore to no more anymore anymore Any

The instructions seem clear: when the ending feels near
take the shock from the few take the shock take it

There’s a ghost in the tech pushing us to the edge to the edge to the edge to the edge to the edge

Static charge in my hair, I’ve got my nose in the air

And I’m relying on animal animal animal animal

How does your animal feel
About the death of the real?

Well I don’t know if you care, but there’s a charge in the air in the air in the air in the air

Now see it so clear, gonna be so aware: bite the hand bite the hand bite the hand

There’s a ghost in the tech pushing us to the edge to the edge to the edge to the edge to the edge

Bite the hand behind the hand behind the hand

Just relying on animal animal animal animal

How does your animal feel
About the death of the real?

credits

from Walls Fall Down, released April 26, 2021
Written, performed and recorded by Nick Powell
Cello – Sarah Willson
Drums - Chin Keeler

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about

Nick Powell London, UK

Nick Powell, an award-winning British musician & sound designer & ex-member of Strangelove (EMI) has written scores for films, artworks & theatre including RSC, The National Theatre as well as Broadway.

Recently Powell has been working with Sam Mendes scoring The Lehman Trilogy (National) & The Ferryman (West End & Broadway) as well as acting as music consultant on the Oscar-winning film 1917.
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